
This is a hand-knotted vintage Gharabagh (Karabagh) rug, originating from the historic South Caucasus region (modern-day Azerbaijan/Armenia borderlands). It is approximately 70 years old, dating to the mid-1950s. Measuring 230 by 130 centimeters (roughly 7 feet 7 inches by 4 feet 3 inches), it is a long, substantial runner or gallery rug, ideally suited for a hallway, a dining room, a long living space, or as a stunning wall tapestry. The rug is woven entirely from hand-spun wool using natural and early synthetic organic dyes, and its age is evident in the soft, mellowed patina and the charmingly “naive,” folk-art execution of the floral and bird motifs.
The design layout of this Gharabagh rug is a unique “Triptych” or “Three-Panel” layout. The field is visually divided into three distinct vertical sections. The left and right outer panels are identical mirror images of each other, featuring a dense, cascading “all-over floral” pattern of climbing roses, leaves, and stems that run from the top to the bottom of the rug. The central panel acts as the focal point and is framed by thin, straight orange lines. Inside this central panel, the weaver has placed a staggered, vertical arrangement of stylized birds perched among flowering rose bushes. The three sections are unified by the deep black background, creating a cohesive, gallery-like presentation.
Detailed Motifs and Pattern Elements
The motifs in this rug are purely pictorial, organic, and romantic.
The Roses: The dominant motif is the stylized rose or “Gol”. These are large, blooming flowers with overlapping petals, drawn in a charmingly primitive, folk-art style. They are heavily influenced by European botanical art, yet executed with the angularity of a hand-loom weaver.
The Birds: The central panel features five distinct, stylized birds. They resemble doves, parrots, or songbirds, and are woven in contrasting colors (white, red, yellow, blue). Each bird is perched facing inward or outward, adding a sense of narrative and movement to the static floral columns.
The Leaves: The leaves surrounding the roses are jagged, serrated, and stepped, echoing the protective latch-hook motifs of traditional Caucasian weaving. They are woven in cool teal and slate blue, providing a beautiful cool-toned contrast to the warm pink and red roses.

The color palette of this Gharabagh rug is dramatic, romantic, and deeply saturated, defined by striking contrast. The primary background of the entire rug is a deep, velvety charcoal black or midnight blue. This dark, absorbing canvas serves as a dramatic night-sky backdrop, making the vibrant floral and avian motifs pop with vivid intensity. The blooming roses that cascade down the side panels and center column are woven in magenta pink, crimson red, salmon pink, and cream. The leaves framing the flowers are rendered in slate blue, teal, and dusty green. The central birds are woven in crimson red, soft cream, golden yellow, and teal blue. The rug is framed by a thin, delicate border in faded golden ochre and cream, with small, repeating geometric flowers in black.


















- Provenance: Vintage Gharabagh (Karabagh) rug, South Caucasus.
- Age: 70 years old (circa mid-1950s), mid-century vintage.
- Size: 230 x 130 cm (7’7″ x 4’3″), a long gallery runner.
- Material: 100% hand-spun wool with natural and organic dyes.
- Colors: Deep charcoal/midnight blue background, magenta pink, crimson red, salmon pink, cream roses; teal blue, slate green leaves; birds in red, white, yellow, and blue; thin golden ochre border.
- Design: Unique “Triptych” or “Three-Panel” layout: mirrored cascading floral side panels, central panel with vertically arranged birds among roses.
- Pattern: Stylized, large blooming roses; jagged/serrated latch-hook leaves; five distinct perched songbirds/parrots.
- Symbolism: Night sky (black background), Garden of Paradise/romantic love (roses), spiritual freedom/joy (birds), protective teeth (latch-hook leaves), past/present/future (three-panel layout).
- Condition: Excellent vintage condition; even low pile; secure edges; full fringes; beautiful age-patina.
- Versatility: Ideal for a long hallway, dining room, alongside a large bed, or as a magnificent wall tapestry.
- Value: A charming, highly decorative, and visually striking mid-century folk-art piece. The romantic floral and bird motifs make it an instant conversation starter.





